This is what the OCR A Level Specification says about the unit:
Section B: Contemporary Media Issues
One question to be answered from a choice of six topic areas offered by OCR. There will be two questions from each topic area.
The topic areas require understanding of contemporary media texts, industries, audiences and debates.
Candidates must choose one of the following topic areas, in advance of the examination and, through specific case studies, texts, debates and research of the candidates’ choice, prepare to demonstrate understanding of the contemporary issue. This understanding must combine knowledge of at least two media and a range of texts, industries, audiences and debates, but these are to be selected by the centre / candidate. The assessment of the response will be generic, allowing for the broadest possible range of responses within the topic area chosen. Each topic is accompanied by four prompt questions, and candidates must be prepared to answer an exam question that relates to one or more of these four prompts. There should be emphasis on the historical, the contemporary and the future in relation to the chosen topic, with most attention on the present. Centres are thus advised to ensure that study materials for this unit are up to date and relevant.
Post-modern Media
What are the different versions of post-modernism (historical period, style, theoretical approach)?
What are the arguments for and against understanding some forms of media as post-modern?
How do post-modern media texts challenge traditional text-reader relations and the concept of representation?
In what ways do media audiences and industries operate differently in a post-modern world?
Candidates might explore combinations of:
How post-modern media relate to genre and narrative across two media, computer / video games and new forms of representation, post-modern cinema, interactive media, reality TV, music video, advertising, post-modern audience theories, aspects of globalisation, parody and pastiche in media texts or a range of other applications of post-modern media theory.
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